In fact, he offers a theory that both Peters’s Zabel and Guy Pearce’s Richard may have ulterior motives. In this week’s episode of Vanity Fair’s podcast Still Watching: Mare of Easttown, Richard Lawson is dubious about Zabel’s motivations. #Mare of easttown poor sisyphus professionalPeters tells Vanity Fair that accessing Zabel’s admiration for Mare was pretty easy based on his professional esteem for Winslet. Zabel made good on last week’s whiskey-soaked flirtatious overture by asking Mare out on a date. 'Poor Sisyphus' B Episode 4 The lull is not terribly surprising, because if Easttown was going to hit a speed bump, the best place for it to happen is after Mare is relieved of her duties after. But those who guessed that the title of last week’s episode, “Enter Number Two,” was a reference to the Gordon Lightfoot song “ If You Could Read My Mind” and predicted Zabel was entering the picture as love interest number two for Mare, are likely feeling pretty smug right now. This week Detective Colin Zabel took a back seat as other aspects of the case flooded in. Amid mounting community pressure, Detective Mare Sheehan shoulders a directive to revive an unsolved missing. Last week on Mare of Easttown, Evan Peters stole the show with his emotional, drunken meltdown in front of Kate Winslet’s Mare. Especially with the Room reveal at the end.This article includes frank discussion of the latest episode of Mare of Easttown: “Poor Sisyphus.” If you’re not caught up, now is the time to leave. But all this tragedy circling Winslet like sharks, it’s just to give her reaction material and reaction material is Ingelsby’s version of character development. I mean, maybe it is a vanity project, but it’s not an undeserved one, further complicating it. Winslet doesn’t walk all over the actors, she’s acting well with them–it’s just how Zobel’s shooting it. So far her redemption arc is on track, but given. The show wastes its actors even when they’re excellent-Nicholson, Peters, Jean Smart-because it’s all about Winslet doing a transformed woman thing. Mare calls a family meeting ('What the hell is a family meeting') to the abject horror of her mother and daughter and proceeds to explain herself. Again, if Zobel were at all original or if Ingelsby could admit he plots better than he writes and asked for help, “Mare” could easily be a great modern noir. With Mare forced to take a backseat on the case, Colin presses a local priest about the vague circumstances that prompted his transfer to the parish an anon. Why does it need an ambulance? Character development for Winslet. Are they important? We don’t know yet because in addition to Graham’s thriller arc, there’s also Angourie Rice’s “dumping my bandmate girlfriend for a college girl D.J.” arc, which ends with an actual ambulance. Heirloom furniture, which is actually a far more accurate way to describe shows meant for infinite binge streaming than I intended. Like, it’s manufactured but it’s really well-done. He’s even going to leave her alone with the witnesses so she can ask unofficial questions. Except, wait, since the show’s going in hard on work sidekick Evan Peters being hot for Winslet, he’s obviously going to let her question witnesses with him. The episode’s got time for Graham and everyone else (though Julianne Nicholson just gets to play sidekick to her family after being sidekick to Kate Winslet) because Winslet’s on the bench. And then if it’s not obvious, they go and make it more and more obvious, then even incredibly awkward and problematic in the end. Unfortunately, the show’s only got so many characters of a specific demographic and both director Craig Zobel and writer Brad Ingelsby are profoundly obvious, so the perpetrator is obvious. She gets a suspicious phone call ransoming off her daughter-Graham’s daughter is the Three Billboards daughter, versus the show’s Laura Palmer-and spends the episode fretting over stealing from her job to pay the ransom. If “Mare of Easttown” were an ensemble show, this episode would be Enid Graham’s spotlight.
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